Protagonist is the young actor Yvan. During a tour, he witnesses the inexplicable suicide of one of his fellow actors. Back in Paris he tells Xénie, the ex-lover of the dead actor. Xénie is in love with Yvan, but the latter sinks deeper and deeper into a personal crisis. At a certain point he acts being blind and buys a pair of glasses with black lenses. He is fascinated by his new, more restricted manner of seeing and refuses to open his eyes. Reality makes way for his more and more obsessive imagination. The mixture of fantasy and reality meant that Santoni's approach was compared with that of Buñuel.

Vincent and Olivier have an intense, rocky relationship: Vincent evades tenderness, just as he does desire, forcing the couple to hunt for a third partner to participate in their sexual games. Olivier has a background in the theater. He believes in, but is preoccupied by their relationship; he wants to free Vincent from the ghosts haunting him. But Vincent is locked into the past. His father, a pilot, was killed in a plane accident. Vincent’s job is a strange, uncommon one that plunges him deep into contemplation from which no one can make him budge: he deciphers plane disaster recordings. Vincent’s unconscious repression is so powerful that he hasn’t even recognized the link between his father’s death and his work. It will take the stormy encounter with Olivier for Vincent to obtain his ‘black box.’ Indeed, the two young men come to life through their connection with each other, a connection which shatters the framework of typical love stories.

A queer romance from Avalon Fast.

In a bustling city of strangers, a young woman embarks on a soulful journey, finding inspiration in unexpected places, and glimpses of a lost love that guides her toward self-discovery and purpose.

​An exploration of the personal and creative struggles behind the music of four-time Grammy-winning singer-songwriter Jason Isbell.

The Closed Chain (German: Die geschlossene Kette) is a 1920 German silent film directed by Paul L. Stein and starring Pola Negri, Aud Egede-Nissen, and Carl Ebert.

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Monica is a social worker in Mexico City, whose son has a degenerative illness in both eyes. Having exhausted all other options, a corneal transplant is the only hope. Overwhelmed by the slowness of the health care system and the scarcity of resources, she decides to search for an extreme solution in her work environment: the world of street children.

The film tells the story of an old tar maker who interacts with a group of young people who practice music at home. In his own mind, he sometimes imagines Iranian music masters instead of them, and we hear enduring Persian songs from those masters.